PREVIOUS | HOME | TOC | ABR | NEXT
RULE XII
The web pulsates. It contracts and expands. Let the magician seize the midway point and thus release those, "prisoners of the planet" whose note is right and justly tuned to that which must be made.
It is necessary for the magician here to remember that all that takes place upon the earth is to be found within the planetary Etheric web. The worker in white magic, being an occultist, deals in universals, and starts his magical work on the confines of the physical Etheric sphere. His problem is to locate those lesser lives, within the web, who are of the right order to be built into the proposed thought vehicle. Such work can necessarily only be done by the man who, through the severance of the confining web of his own Etheric web, can reach out to that which is consciously recognized by him as the planetary vital body. Only he who is free can control and utilize those who are prisoners.
RULE XIII
The magician must recognize the four; note in his work the shade of violet which they evidence, and thus construct the shadow. When this is so, the shadow clothes itself, and the four become the seven.
This means literally that the magician must be in a position to discriminate between the different Ethers, and to note the special hue of the different levels, thereby ensuring a balanced building of the "shadow." He "recognizes" them in the occult sense; that is, he knows their note and key, and is aware of the particular type of energy they embody. Enough emphasis has not been laid upon the fact that the three higher levels of the Etheric planes are in vibratory communication with the three higher planes of the cosmic Physical plane, and they (with their ensphering fourth level) have been called in the occult books "the inverted Tetraktys." It is this knowledge which puts the magician in possession of the three types of planetary force and their combination, or the fourth type, and thus releases for him that vital energy which will drive this idea into objectivity. As the different types of forces meet and coalesce, a dim shadowy form clothes itself upon the vibrating Astral and mental sheath, and the idea of the solar Angel is attaining definite concretion.
RULE XIV
The sound swells out. The hour of danger to the Soul courageous draweth near. The waters have not hurt the white creator and naught could drown nor drench him. Danger from fire and flame menaces now, and dimly yet the rising smoke is seen. Let him again, after the cycle of peace, call on the solar Angel.
The work of creation assumes now serious proportions, and for the final time the body of the magician is menaced by destruction. The "shadow" having been formed, it is now ready to take to itself a "fiery" or gaseous body, and it is these fire builders who menace the life of the magician, and this for the following reasons.
Firstly, because the fires of the human body are closely allied to the fires with which the magician seeks to work, and should these latent fires of the body and the latent fires of the planet be brought into too close juxtaposition, the creator is in danger of burning and destruction.
Secondly, the Agnichaitans, being allied to the "fire Devas" of the Mental plane, have much power, and can only be controlled properly by the solar Angel Himself. Thirdly, on this planet the planetary fires are not as yet dominated by Solar Fire, and are very easily driven into the work of destruction.
The solar Angel must, therefore, now again be invoked. This means that the magician (when his "shadow" is completed, and prior to the final stages of concretion) must see to it that his alignment with the Ego is just and unimpeded, and the communicating currents in full play. He must literally "renew his meditation," and make direct contact afresh before proceeding with the work. Otherwise, the fires of his own body may get out of control, and his Etheric body suffer in consequence. He, therefore, fights fire with fire, and draws down Solar Fire for his protection. This was not necessary on the Astral plane.
For the magician, the moments of the greatest danger in the work of creating are at certain junctures on the Astral plane, where he is in danger of occult drowning, and at the transition from Etheric levels to the planes of tangible concretion, when he is menaced by "occult burning." In the one case, he does not call on the Ego, but stems the tide by love and the equilibrizing powers of his own nature. In the latter case, he must call in that which represents the will aspect in the three worlds, the impulsive, dynamic thinker or solar Angel. He accomplishes this by means of a mantram.
110