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THE RAYS, KARMA AND THE DEVAS
The process may be tabulated as follows:
Only the way can be pointed to those who are ready, or who are recovering old knowledge gained through experience upon the Path. The landmarks indicated must hold sufficient guidance to enable them to penetrate deeper into the arcane of knowledge. The danger consists in the very fact that transmutation concerns the material form, and Deva substance. Master concern themselves with the Soul of things and they reach the whole through the agency of the few centers in a form.
Conscious Manipulation of the Fires: This concerns the two-fold fire of an atom (internal and radiatory) and the fires of mind. The conscious manipulation of the fires is the prerogative of man when he has reached a certain point in his evolution. The work to be done in aiding the evolutionary process, is the work of transferring the life from one stage of atomic existence to another, and it involves three steps which can be seen by means of higher clairvoyance. They are:
Radioactivity, pralayic solution and essential volatility might express the thought, for these three steps are followed in every transmutating process without exception. Little can be shared about the conscious manipulation of the fires owing to the disastrous developments in Atlantean days, and the consequent stultification of Spiritual evolution for a time until karma has been adjusted.
As time proceeds, man will gradually recover past knowledge and power developed in Atlantean days, produce bodies resistant to the fire elementals of the lower kind, comprehend the inner meaning of radioactivity, or the setting loose of the power inherent in all elements, and reduce the formulas of the chemists to sound. Conscious transmutation is possible only when a man has transmuted the elements in his own vehicles, only then can he be trusted with the secrets of divine alchemy.
The magician or alchemist works with Deva essence through the control of the lesser Builders in cooperation with the greater Devas. Note the following distinctions between the work of the black and the white magicians.
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